Monday, August 8, 2011

The shoe fits, please wear it.

My despair for the footwear of the American male is no secret (tube socks considered appropriate for all occasions, flip-flops in the same category and when they really make an effort the square toed shoe makes an appearance).

All in all I had given up but then I visited the store of George Esquivel, where else but here, in Los Angeles (recently voted one of GQ's worst dressed cities in the US). Not only was I happily surprised to discover these sturdy leather shoes but also I was delighted to see that, in this world of crazily high heels he hasn't forgotten that ladies like a good honest shoe too.

These hand-made leather beauties are classic, or classic with a twist if that's your thing, will wear forever and only get better with age. All shoes are made in his So Cal workshop by an army of skilled craftsmen whose workmanship shines in the finish and feel to the shoes.

LA is always full of surprises and this was a good one. Bravo Mr Esquivel.


Sunday, July 24, 2011

Lust, Caution. #1

It's been a while since I really lusted after a handbag but I went in to one of Beverly Hills' department stores the other day and saw this beauty by Chloe.

It's pillar box red and perfect. It has a cross body strap so you can do stuff with your hands while you're wearing it and the price tag is all sorts of wrong but this bag is so right. Be still my beating heart and remain hidden my credit card.

Friday, July 8, 2011

Simple Pleasures.

I wrote a piece that went up today on Myoo.com about one of the simple pleasures in life. Hunting for seashells on the sea-shore.

You can read it here or scroll down this page for a copy/paste version:
http://myoo.com/features/simple-pleasures/


Growing up in the Isles of Scilly, surrounded by water and beaches meant that many of our summer days were spent shell-seeking. Family, friends, and anyone who cared to join in would trawl the strandline looking for the brightest, biggest or most delicate shells we could spy. Bright orange “snail” shells, delicate creamy winding tusks, razor shells, or the most precious of them all—the coveted cowrie shell, or Guinea Money, so called for its history as currency in Africa.

The different spirals, lines, colors, shapes, and infinite variations kept us transfixed; like snowflakes, no two were ever the same. The end of our afternoons were spent picking over and showing off our finds before finally brushing the warm sand from our feet, shaking our towels and finishing up the day.

Years later, as adults we would still carry on the hunt. During holidays at home, it didn’t matter what was happening in our other lives, there was something comforting about being able to walk across the beach aimlessly hunting.

“We had inherently recognized the beauty and the form in each shell we’d picked up and—whether we knew it or not—they’d left a deep imprint on our souls.”

That the search for these tiny works of magic could keep us busy for so many hours was sometimes a mystery, but the treasure was always worth it. And as we grew older, the simple pleasure of this meditation on a shoreline was soothing and restful. These delicate yet hardy shells had been washed up on the beach after long oceanic journeys, still intact for us to hold, and serving as palm-size reminders to never underestimate the power of nature.

Several years ago, a piece of anonymous text arrived in my mail box enclosed in a card. It was sent by a very dear friend who had stumbled upon the prose whilst researching a project and it perhaps better than anything captures the sentiment of our beach-combing pastime and deeper draw to this very simple pleasure:

“The laws of nature created from water the first scientific piece of hard sculpture – the shell. Shells are not works of art as we recognize the term, but rather, works of organic engineering. Their perfection is absolute. Perhaps more than any other animal shape they have molded our sense of beauty. They are based on geometry, but biologically and not mathematically. Their shapes repeat, but not exactly. It must be admitted that while man with his hands and his instruments has created richer and more meaningful objects, he has never achieved the variety and consistent perfection of form that arise from this sculpture from the sea bed.”

When so eloquently described, it made perfect sense why we had spent our lives entranced, walking with our heads at ninety degree angles in almost total silence except for “oooh” and “ahh” and “I got one!” at these tiny beach-side treasures. We had inherently recognized the beauty and the form in each shell we’d picked up and—whether we knew it or not—they’d left a deep imprint on our souls.

“By encouraging us to move faster, work longer hours, earn more, sleep less, keep up, and consume more, modern life has promised us a more beautiful life than the one we have, always just out of reach.”

As someone who has worked in the fashion industry for over ten years, I know better than most that the world of design has drawn much of its ideas from nature. A glimpse at Cristobal Balenciaga’s spare sculptural works, Sophia Kokosalaki’s gently undulating lines or Alexander McQueen’s Spring 2010 homage to the oceans entitled “Plato’s Atlantis” gives us evidence of just how much nature inspires us. Yet as a race, we have moved further and further from the source of such inspiration.

By encouraging us to move faster, work longer hours, earn more, sleep less, keep up, and consume more, modern life has promised us a more beautiful life than the one we have, always just out of reach. But all we need to do is to look down at our feet on a windswept beach to know that Mother Earth has already provided all the beauty one could hope for. We’ve known it since we were kids.

Illustration by Monsieur Cabinet

Friday, July 1, 2011

The girl's got style.

Say what you like about Kate Moss but she has wonderful style. This beautiful rhinestone embellished John Galliano wedding dress and simple veil is everything old-worldly yet modern that she manages to embody.

Her outfit from the day before the wedding is also killer. I don't know where the dress is from but the Roger Vivier boots are perfect.

Ah for a rummage around in her closet.



Friday, June 10, 2011

Midnight in Paris

I just saw Midnight in Paris and wish I were there to see it for myself. Woody Allen's latest love, The City of Lights is as beautiful as ever, the narrow streets, the architecture, the Seine, the wine, the clothes.

Designed by Sonia Grande, the language of costume throughout the film is pitch perfect. From Rachel McAdam's obnoxious everything (including Goyard luggage) to Marion Cotillard's perfect dresses. The 1920s and Belle Epoque wardrobes were rich and so evocative and made me want to find those steps next time I'm in Paris to see whether any midnight adventures come my way.

Tuesday, June 7, 2011

Fresh as a daisy!

I first met Erdem Moralioglu in Paris in 2005 at a show that was being held under The Ritz, a sort of trade show for some younger high fashion brands that weren't showing on the runway.

Needless to say I was captivated by his whimsical romantic take on modern womenswear. His style has something of an old world feel but the fabrics and the cut are pure 21st century. Erdem's silhouettes range from high throated Victoriana, voluminous 60s forms to the most naive baby-doll dresses and they look so fresh. The man himself is also a lovely guy, genuine and quietly confident.

Some highlights from his spring/summer 2011 show that inspire thoughts of those balmy evenings with the scent of jasmine on the air and the smell of a freshly watered lawn. Bliss!



Tuesday, May 24, 2011

Back in Bleck

A few weeks back I went out to the Salton Sea to work on a shoot for new music talent Zander Bleck. Surrounded by millions of dead fish and their over powering smell we walked across a beach of bones to create some stunning shots.

Zander was channeling Jim Morrison out there in the desert and looked amazing. Zander Bleck. You're going to see and hear a lot more from him.

Tom Phillips took the shots and Zander's outfits were styled by Miles Siggins, ably assisted by moi! The leather fringed scarf and wrap gloves are by LA based designer Nicolina Royale.

Monday, May 9, 2011

Pure unadulterated bliss

If you're after some beautiful classic British style look no further than Margaret Howell. Her subtlety and fabrics and attention to the craft is like no other.

In my other life I am dressed head to foot in her pared down silhouette day and night with my gallant beau on my arm dressed likewise. Why can't life always be this simple?





Thursday, May 5, 2011

Summer's begun

The temperatures have been soaring here in California, the flip flops are out in force once again, but I dream of driving along the Amalfi coast, finding cute things in markets and looking like 1960s Brigitte Bardot.

Friday, April 22, 2011

Earth Day

It's Earth Day today and I'm honoured to be an editor-at-large on David de Rothschild's new community Myoo - check it all out at www.myoo.com

Wednesday, April 20, 2011

I'll take Manhattan.

The Storage Wars ad I worked on a few months ago has turned up in the Big Apple on Houston and Lafayette!

Monday, April 18, 2011

Beach Kids

I recently went down to Laguna Beach with the wonderful photographer Katrina Dickson to shoot pictures of some kids she knows down there. They are beautiful, energetic children and we had a fun day hanging out with them, capturing moments of life. It's a great place to grow up.










Thursday, April 14, 2011

Snow bound!

I've been in Aspen for a few days working on a shoot with Rockport. We're due to leave today but the weather has taken a turn and while the resort is technically closed for the season all I can think of is deep winter - and the epic outfits that go with.

Saturday, March 19, 2011

Super Moon

Tonight the moon will be the closest it's been to earth for 19 years. It's cloudy so I won't be able to see it but as an homage to the moon, any extra-terrestrial friends out there and to a man who has done his fair share for menswear, here's a couple of pictures of The Man Who Fell To Earth, Mr David Bowie, taken by Geoff MacCormack.

The striped jacket is an original by Bowie's tailor Freddie Burretti and shows him on the Trans-Siberian Express in 1973 where I imagine he turned a few heads.

The second is a shot taken on the set of The Man Who Fell To Earth. Is there anybody like him out there?


Thursday, March 17, 2011

Let's hear it for the boys

Contrary to what this blog may suggest I find menswear a more interesting and definitely subtle ground. It's time for me to focus on a few menswear thoughts and in order to kick this off I am posting one of my favourite shots ever. A Jean-Paul Gaultier outfit from a few years back.

Yes he's wearing a skirt but.. it's everything together that makes it masculine, his glance, his cigarette, his hair, his stance. While the straps and harness give it a hint of some other world. It's a great picture.

Tuesday, March 15, 2011

Apocalypse now

Chanel's stern women had dressed in a hurry to escape who knows what sort of ashen situation this season. Layered clothes, jackets sewn in to one another, quilted fabrics, these girls (and a couple of guys) were not hanging around to make small talk.

Many of the shows this season had a fin de siecle feel about them be it war or some other disaster the future has yet to reveal, and it's safe to say we're experiencing enough of both just now.

Great fashion designers have always been able to distill our consciousness in to clothes and from the images I've seen recently there may be trouble ahead.



Monday, March 14, 2011

Roaring 40s

I mentioned in an earlier post about the Marc Jacobs collection reminding me of Bladerunner and there's more of that "end of time" feel in the Fall Miu Miu collection.

There's a nostalgic air for 40s war-time style with strong shoulders, prim tailoring, fabric that looks like rayon (but is clearly silk) but with Miuccia Prada's pitch perfect modern execution.

The powdered faces and groomed hair don't compete with the clothes while a red lip or a great pair of sun-glasses provide the perfect accent. Prada's little sister grew in to a woman to be reckoned with.



Saturday, March 12, 2011

The shape of things to come

I saw a lot of sculptural shapes in the outerwear during this round of fashion weeks. No-one ever treated clothing as sculpture better than Cristobal Balenciaga, a skill that has revered and enhanced with the era of Nicolas Ghesquiere.

To close the Fall 2011 show he sent out coats that are re-workings from an original Balenciaga design from 1965. In today's fabrics with Ghesquiere's hand tracing the work of "the master of us all", they sing.